
Until the day she ran headfirst into a Brazilian roadblock named Cristiane Santos.
The great thing about going to see Gina Carano's Haywire movie, which opens in theaters nationwide on Jan. 20, 2012, is that even if you don't like the film, you're still entitled to almost two hours of gratuitous ogling of the former mixed martial arts (MMA) champion.
Haywire tells the story of Mallory Kane (Carano), a super-secret spy recruited by her former boss (McGregor) to do "one last job" for a faceless organization. As the film unfolds, she finds herself betrayed and on the run, not sure who to trust as she chop-sockys her way back onto U.S. soil.
Fight scenes, inevitable when your leading role is embodied by a professional cage-fighter, never overstep the boundaries defined in a legitimate combat sports competition. Wire work is nonexistent and editing is done primarily in long shots.
The result is a film of remarkable appeal.
Carano commands the screen and ultimately, the audience. By the time the end credits roll, you will have gotten exactly what you paid for: "The Face of Women's MMA" doing exactly what she does best.
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